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Alan
Hunter´Â ÇöÀç ÄÚº¥Æ®¸® ´ëÇп¡¼ Peace and Reconciliation
Studies¿Í Human Security µÎ ¿¬±¸ºÐ¾ß¿¡¼Associate Director¸¦ ¸Ã°í
ÀÖ´Ù. ±×´Â Çö´ë Áß±¹ÇÐÀ¸·Î ÇлçÇÐÀ§¿Í Á¾±³ÇÐÀ¸·Î ¹Ú»ç ÇÐÀ§¸¦ ¹ÞÀº ¸®Áî ´ëÇб³¿¡¼ East Asian
Studies °ú¸ñ¿¡¼ ¼®»ç°úÁ¤ ÇлýµéÀÇ Tutor¸¦ ¿ªÀÓÇß´Ù.
±×´Â »ç¿ì½º Àεð¾Æ,È«Äá, ½Ì°¡Æúµî ¸î¸îÀÇ ¾Æ½Ã¾Æ ´ëÇп¡¼ ÀÏÇßÀ¸¸ç,ƯÈ÷ ´ë¸¸ÀÇ Fudan, Nanjing
±×¸®°í Zhejiang ´ëÇб³¿¡¼ ¸î¸îÀÇ ÇÁ·Î±×·¥À» ÁøÇàÇϱ⵵ Çß´Ù. ±×´Â ¿¬±¸¿Í ¼ö¾÷ºÐ¾ß¿¡¼ international
educational partnershipsÀ» ¸Î¾îÁÖ°í, ¿Â¶óÀÎÀ¸·Î °ÀǸ¦ µéÀ» ¼ö ÀÖµµ·Ï Çß´Ù.
±×´Â Cambridge University ¿Í Princeton University µÎ ´ëÇб³ ÃâÆÇ»ç¿¡¼
Áß±¹ Á¾±³¿Í ¹®È ¿¡ ´ëÇÑ Ã¥À» ¿µ¾î¿Í Áß±¹¾î·Î ÃâÆÇÇÏ¿´´Ù. ±×´Â ÃÖ±Ù Áß±¹ÇÐȸÁö¿¡ ÆòÈ Çп¡ °üÇÑ
±â»ç½Ã¸®Á ¿¬Àç ÇÏ¿´À» »Ó¸¸ ¾Æ´Ï¶ó, Chinese Protestantism (1991)ÀÇ »çȸÇÐÀûÀÎ
ªÀº ³í¹®°ú 19¼¼±â¸» ¾Æ½Ã¾ÆÀÇ ½Ä¹ÎÁö¿¡ Æ÷Ä¿½º¸¦ ¸ÂÃá Swami Vivekananda¡¯s writings
and visits to the USA (2006)¶ó´Â Ã¥À» ÁýÇÊÇÏ¿´´Ù. ±×ÀÇ ÃÖ±Ù Sino-IndianÀÇ
¹®ÈÀûÀÎ ¿ª»ç¿¡ ´ëÇØ ¿¬±¸Çϰí ÀÖ´Ù.
±×ÀÇ Àú¼·Î´Â China include Alan, Protestantism in Contemporary
China (Cambridge UP, 1993); Wild Lily Prairie Fire (Princeton
UP, 1995); Contemporary China (Macmillan, 1999), and Peace
Studies in the Chinese Century (Ashgate, 2006)
Websites:
http://www.coventry.ac.uk/peacestudy
http://www.coventry.ac.uk/archs |
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Andrew Beck BA, PGCE, MA, FRSA
Coventry School of Art and Design, Coventry University |
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Andrew
Beck ±³¼ö´ÔÀº 30³â ÀÌ»óÀÇ ±³À°ÀÚ, consultant, author, examiner,
±×¸®°í curriculum
DesignerÀÇ °æ·ÂÀ» °¡Áö°í ÀÖÀ¸½Ã¸ç, ¿µ±¹ °¢ ±³À°±â°ü¿¡¼ ±Ù¹«ÇϽŠºÐÀ¸·Î Áö±ÝÀº ÄÚº¥Æ®¸®
´ëÇб³¿¡¼ Communication°ú °ü·ÃµÈ Çй®À» °¡¸£Ä¡¸é¼ Coventry School of
Art¿¡¼ ±Ù¹«ÇÏ°í °è½Å´Ù. ±×´Â Áö±Ý ´ëÇп¡¼ 2,3Çгâ Çлýµé°ú ¼®»ç°úÁ¤ Çлýµé¿¡°Ô communication
practice¸¦ °¡¸£Ä¡°í ÀÖÀ¸¸ç, ¸¹Àº ÇлýµéÀÇ ³í¹®À» ÁöµµÇϰí ÀÖÀ¸¸ç, advertising
¿Í promotional culture¿¡ ÁßÁ¡À» µÎ°í ÀÖ´Ù. ±×¸®°í ±×ÀÇ °ü½É ¿¬±¸ºÐ¾ß´Â communication
education, cultural work, the persuasive industries, ±×¸®°í
the disputed character of marketing in contemporary business
practicesÀÌ´Ù.
±×´Â °øÀû,»çÀûÀÎ ±â°üÀÇ ³».¿ÜºÎÀÇ Åë½Å±â°üÀÇ °í¹®À» ¸Ã¾ÒÀ¸¸ç, BBC CWRÀÇ ÆË°ú ÀçÁî¿¡ °üÇÑ
ºñÆòÀ» ¸Ã°í ÀÖÀ¸¸ç,µðÁöÅÐ ¿µÈ Walking Hawksmoor (1999),°³ÀÎ »çÁøÀü Bricks
and Water (1999)À» ¿°í, Flamenco Legend: In Search of Camaron
de la Isla (2007)¸¦ ÃâÆÇÇÏ¿´´Ù.
the Independent newspaper¿¡¼ Á¶»ç ¹ßÇ¥ÇÑ Media ¿Í Communication
ÆÄÆ®¿¡¼ ¡®At Coventry Martyn Lee, Karen Ross and Andrew Beck
are the hotshots¡¯ (The Independent, 13 August 2004) º¸µµ
µÇ¾ú´Ù.
±×¸®°í ±×´Â Ä¿¹Â´ÏÄÉÀÌ¼Ç ºÎºÐ¿¡¼ ¸¹Àº Àú¼¸¦ ³²°å´Ù. The Essential Introduction
(Routledge 2002), Cultural Work (Routledge 2003), Communication
Studies: The Essential Resource (Routledge 2004), and
Get Set For Communication Studies (Edinburgh University
Press 2005) Communication Skills and Social Work (Open
University Press) |
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| BSc(Hons) PhD CEng MIMechE Principal Lecturer
InIdustrial Design |
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James Shippen´Â ±â°è°øÇÐÀ» Àü°øÇÑ ÈÄ ¼ö·Ú¸¦ ÃßÁø Á¶ÀýÇÏ´Â
¼öÁß ¹«¼± ½Ã½ºÅÛÀ» ¿¬±¸Çϼ̴Ù. ±× ÀÌÈÄ¿¡ Longbridge¿¡ ÀÖ´Â Rover cars¿¡¼ µðÀÚÀÎ
ºÐ¼® ÆÄÆ®¿¡¼ ½Â°´µéÀÇ ¿î¼Û¼ö´ÜÀ» ºÐ¼® °ËÅäÇÏ°í °³¹ßÇÏ´Â ¾÷¹«¸¦ Çß´Ù. ±×´Â RoverÀÇ ¿äû´ë·Î
ÀÚµ¿Â÷ÀÇ °³¼ºÀÖ´Â À½ÆÄÀÇ ¼öÇÐÀû ¸ðµ¨À» ¿¬±¸ÇÏ´Â ÇÁ·Î±×·¥ÀÇ Ã¥ÀÓÀ» ¸Ã¾Ò´Ù. ÀÌ·Î ÀÎÇØ ±×´Â ¹ö¹ÖÇè
´ëÇб³¿¡¼ ¹Ú»çÇÐÀ§¸¦ ¹Þ°í °ÀǸ¦ ÇÏ°Ô µÇ¾ú´Ù. ±×´Â »ý¹°ÇÐÀû ½Ã½ºÅÛÀÇ ±â°èÇÐÀûÀ¸·Î ºÐ¼®ÇÏ´Â °Í¿¡
»ý¹°ÇÐÀû ºÐ¼®¿¡ ÃÊÁ¡À» µ×°í Ưº°È÷ Biomechanical ºÐ¼®¿¡ ÁßÁ¡À» µ×´Ù. ÀÌ ¿¬±¸ÀÇ °á°ú·Î
±×´Â ¹ö¹ÖÇè ´ëÇÐÀÇ Biomedical Director °¡ µÇ¾úÀ¸¸ç, the San Diego Children
Hospitald ÀÇ ¿îµ¿ºÐ¼® ¿¬±¸½ÇÀÇ ¿¬±¸¿øÀ¸·Î ÃʺùµÇ¾ú´Ù. ¸¹Àº ¼ÒºñÀÚµéÀÇ Biomechanical
»ó´ãÀ» ¸ÃÀ¸¸é¼ Marlbrook Ltd ÀÇ ¸®´õ°¡ µÇ¾ú´Ù. BSc(Hons)
PhD CEng MIMechE Principal Lecturer inIdustrial Design
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Àú´Â
ÄÚº¥Æ®¸® ´ëÇÐ ½Å¹® ¹æ¼ÛÇаú¿¡¼ ¹®È¿Í ¹Ìµð¾î ÀÌ·Ð ¹× ¿©¼ºÇÐÀ» °¡¸£Ä¡°í ÀÖ½À´Ï´Ù. ÄÚº¥Æ®¸® ´ëÇÐÀº
¿µ±¹ Áß¼ºÎ¿¡ À§Ä¡ÇÑ ´ëÇÐÀ¸·Î ƯÈ÷ Á¦°¡ ¸ö´ã°í ÀÖ´Â ½Å¹® ¹æ¼ÛÇаú´Â À̷аú ½ÇÁ¦ÀûÀΠâÀÛÀÛ¾÷À»
µ¿½Ã¿¡ ¹è¿ì°í ÇöÀå ÀÛ¾÷°ú °°Àº »óȲ¿¡¼ ½Å¹® ¹× ¹æ¼Û½Ç½ÀÀ» ÇÒ ¼ö ÀÖ´Â ¿µ±¹ÀÇ ¸î ¾È µÇ´Â ´ëÇÐ
Áß¿¡ Çϳª ÀÔ´Ï´Ù.
ÃÖ±Ù Á¶»ç °á°ú, ÄÚº¥Æ®¸® ´ëÇÐÀº ½Ç½ÀÀåºñ ¹× âÀÛ ½ºÆ©µð¿À ½Ã¼³¿¡¼ ¿µ±¹¿¡¼ ÃÖ°í ¼öÁØÀ̶ó´Â Æò°¡¸¦
¹Þ¾Ò½À´Ï´Ù. ƯÈ÷ Àú´Â ½ÇÁúÀû âÀÛÀÛ¾÷¿¡ µé¾î°¡±â Àü¿¡ ¸ðµç Çлýµé¿¡°Ô ±âº»ÀûÀÎ ¹®È ¹× ¹Ìµð¾î¿¡
´ëÇÑ ÀÌÇØ¿Í ºÐ¼®À» ÇÒ ¼ö ÀÖµµ·Ï ÁöµµÇϰí ÀÖÀ¸¸ç À̸¦ ¹ÙÅÁÀ¸·Î Á»´õ âÀÇÀûÀÎ ¹Ìµð¾î ÀÛ¾÷À» °¡´ÉÇϵµ·Ï
Çϰí ÀÖ½À´Ï´Ù. ÀúÀÇ ÃÖ±Ù ¼¼°èÈ °úÁ¤¿¡¼ ±Þ°ÝÇÑ »çȸÀû ȯ°æÀÇ º¯È¿¡ ´Éµ¿ÀûÀ¸·Î ´ëÃ³ÇØ ³ª°¡´Â
¹Ìµð¾î¿¡ ¿µÇâÀ» ¹Þ´Â ¿©¼º Á¤Ã¼ ¹®Á¦ ¿¬±¸¿¡ ÃÊÁ¡À» µÎ°í ÀÖ½À´Ï´Ù. ÄÚº¥Æ®¸® ´ëÇÐ ½Å¹® ¹æ¼ÛÇаúÀÇ
½Çõ°ú ÀÌ·ÐÀÇ Á¢¸ñÀ̶ó´Â ¸ñÇ¥ ¾Æ·¡ ¿Á¤À» °¡Áö°í ´Ù¸¥ Çй®°ú ¹®È¸¦ Á¸ÁßÇÒ ÁÙ ¾Æ´Â ÀÎÀ縦 ±æ·¯³»°íÀÚ
ÇÕ´Ï´Ù. |
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